Yes South Florida is known for the glitz and glam (and incredible Art Deco architecture) of South Beach, the posh houses and sophistication of Palm Beach and the tranquil beauty of Naples and the Gulf Coast, but it should also be recognized as a destination for a incredibly sophisticated food and wine scene (I am sure the cocktail scene is just as innovative – will have to save that for a personal trip).
In Miami’s South Beach, the beach was the furthest thing from peoples minds last week, with temperatures holding in the mid 60’s during the day and dipping in to the 40’s in the evenings. Couple that with a constant stiff breeze (wind chill in Florida?????) and people are indoors drinking and eating ( a few brave soles braved the beach, huddled among blankets and sweaters, eyes tearing against the whip of Atlantic winds and staring blankly at a distant warm and tropical place).
Much has been written about the influx of money to update many of the classic hotels of South Beach; the Fontaineblue went through close to a 1 billion dollar refurbishment, the Delano is sparkling and reaching back to a romantic period past, the Betsy pulsing with the energy of B Bar and BLT Steak. Each hotel also understood that sophisticated travelers are looking for more than just ocean views, spa service and high thread count sheets; dining is now an integral and essential part of every renovation.
The Fontaineblue houses three of the of the best restaurants in Miami; Alfred Portale’s Gotham Steak serves up classic range of steaks and seafood along with a great wine list (The French Laundry’s lead sommelier Dennis Kelley’s sister in law runs the cocktail program),Scott Conant’s Scarpetta takes Italian dining in Miami to a completely different level, and Hakkasan, London’s Michelin starred Chinese food restaurant, makes a splash with innovative and perfectly executed Chinese cuisine.
At the Delano, The Blue Door, Claude Troigros fuses the cuisine of his french roots (yes, that Troisgros family) with influences derived from his year cooking in Brazil. For something less formal, Plat Blue is the perfect place to relax for the evening taking in the famous Delano scene.
Though easy destinations, these restaurants are only the beginning of the culinary tour. Emeril’s South Beach outpost continues to turn out Emeril’s classics (the night I was there was Emeril’s South Beach Food and Wine VIP event and the place was PACKED). Steak houses, ok – hip steakhouses, remain a staple with Red, The Steakhouse, Meat Market, and Prime One Twelve serving perfectly cooked steaks, eclectic wine lists and slightly over the top cocktails. One little side note, and you will not find Meteor Vineyard here, but my favorite lunch place is the tiny, outdoor seating only sandwich place Le Sandwicherie on 14th Street. One of the best sandwich shops in the U.S.
When you are exhausted of the painfully cool scene in South Beach, its time to head to what may be the most exciting restaurants in the city (and slightly north). Michael’s Genuine Food and Drink has garnered tremendous acclaim, all of it justified. This small “neighborhood” restaurant in the Design District turns out some of the most compelling and authentic food I have tasted anywhere. Perfect ingredients prepared with precision and honesty. It didn’t hurt that they were pouring Krug by the glass (for $28 – incredible!) as well as Diamond Creek. Former S.F. sommelier Matt Turner has escalated the wine list at Michael Minna’s Aventura outpost of Bourbon Steak to a work of art with the worlds greatest producers represented on page after page (look for Meteor Vineyard soon). The stunning beauty of the Mandarin Oriental on Brickell Key only adds to the allure of Azul. Sommelier Cynthia Betancourt oversees a diverse and cutting edge wine list. The champagne bottles chilling along the center of the bar suggest (loudly) the best way to start the meal (and end it).
The recent New York Times article on Palm Beach ( 36 hours in Palm Beach, Fl ) did a decent job capturing the vibe of the tony seaside enclave (and the continued introspection of its residents post Madoff), but missed the breadth of options on the dining scene. The Breakers dominates the northern end of Palm Beach Island, historically and in presence. The dining scene alone makes this a must stop. Not one but TWO Master Sommeliers (Virginia Philip and Juan Gomez) oversee a massive wine program that form the foundation for everything from L’Esaclier to the Seafood Bar. Cafe L’Europe remains one of the most loved restaurants in Palm Beach (beware the video on the home page of the website – it doesn’t do justice to the elegant sophistication to say nothing of the epic wine program) and Daniel Boulud’s Cafe Boulud at the Brazilian Court Hotel added an element of cool to the downtown dining scene.
I suppose all of this befits an area know as South New York City. There are far worse places to while away the winter…
Blending from a single vineyard is a very different exercise from blending fruit from throughout a region.
Many fine wine regions are based on blending; Champagne is synonymous with blends (though far more grower champagne bottlings focusing on one estate), Port is often pulled from multiple vineyards from throughout the Duoro, and many wines from California are labeled under larger AVA’s to allow for a particular style to be created. In many cases this style is intended to provide wine lovers with wines that are similar in style from year to year. Fruit from cooler areas is added for brightness and acidity, warmer regions for base notes and mid palate breadth. In Napa Valley, people will also pull in mountain fruit for tannins and structure.
Working solely with an individual site, you are faced an individual interpretation of a vintage. The models here are many as well, with Burgundy remaining the most recognized with clearly defined vineyards delineated since the middle ages. Each vineyards’ minute changes in soil type and exposition manifests in subtle, and sometimes profound differences. (Of course, human influence has a role here as well with a melange of clones and winemaking techniques creating variations within the variations).
The Meteor Vineyard sits atop a knoll at 500 ft elevation. Soils are a fairly uniform blend of volcanic ash, rounded river stone and sedimentary soils. There is a slight “rolling” aspect to the contour, but for the most part the knoll faces west and southwest. The greatest variation lies in the 3 clones planted, each with fairly unique characteristics. This is where the “blending” comes in.
We describe 2008 as the year of fire and ice, with fires peppering the hillsides in the summer and frost affecting bud break.
Clone 337 is always the most delicate of the clones we pull from the vineyard. Historically, the wines are dominated by red rather than black fruit with a distinct floral component and sandalwood. Everyone agreed that the 337 from 2008 was the best “stand alone” 337 that we have harvested to date. More red hued than in 2007, the wine displayed compelling high tones reminiscent of past vintages, with more weight in the mid palate, and a long, vibrant finish.
What clone 4 holds back aromatically, it compounds and compacts into structure. A range of black and red fruits, with firm tannins and focus. Perhaps lacking completeness alone, the wine adds depth and rounds out the 337, and somehow tempers the brooding nature of clone 7.
Clone 7 remains the most precocious of the clones. Muscular and brooding, filled with black fruit and spice, chocolate and coffee bean. Even at this nascent stage, the tannins are powerful, yet rounded, the finish long and firm. Once again the stand out.
The thing that compels me about these wines is their unique melding of new and old world styles. The temperate climate and volcanic soils clearly impart a restraint and elegance, while the California (and Napa Valley) sunshine imparts a fruit character that is unmistakably California. 2008 is clearly more restrained than the previous vintages, yet unique and substantive – another unique example of the character of Meteor Vineyard.
What will the final blend be? That remains to be seen.
Linda Viviani excels at providing her clients access to some of the most exciting wineries in Northern California. In this video she speaks with Tracy Schuler about finding the property that is now Meteor Vineyard and the elements that make it such a unique and compelling place.
There have been some heated exchanges recently between sommeliers in San Francisco and winemakers from the surrounding regions. Although nearly every chef in San Francisco embraces the concept of buying local products, wine buyers have shown little such interest, creating wine lists that are largely based on imported wines from both classic and emerging regions from the far corners of the globe while ignoring the innovations of myriad winemakers in California. A recent blog post from New York Times wine and spirits writer Eric Asimov ignited debate, with San Francisco Chronicle’s Jon Bonne following on his heals with an article of his own.
As a longtime sommelier and lover of wine from around the world who now manages a small winery in Napa Valley, I was approached repeatedly about weighing in – but thought it best to let the dust settle. Recent rains have settled that.
My first true wine trip took place nearly 15 years ago when I boarded a plane to Malpensa in November and made my way to the town of Alba. Anyone who has spent time in Alba in November knows that the streets are perfumed with the beguiling musk of white truffles. The streets are full of revelers and seekers, those who make the yearly pilgrimage to this famed northwestern region of Italy to secure and consume one of the worlds most beguiling products.
Aside from white truffles, the other defining product is wine. From the famed nebbiolo based wines of Barolo and Barbaresco, to the more approachable dolcetto and barbera (and cortese), the bars and restaurants of Alba, and Nieve and every other town in the region, are full of locals and visitors alike enjoying the fruits of the nearby land. Order a plate of tajarin with butter and white truffle along with a pristine bottle of 1978 Barbaresco (ok, there are probably very few left in the cellars) and you are in heaven.
For many who travel to the worlds great wine growing regions, one of primary reasons for the trip is to taste the wines of the area. When I am traveling around the Willamette Valley, I am not likely to order a bottle of Angelus. If there is Coche-Dury on the menu at a reasonable price, I may HAVE to buy it, otherwise I, and most everyone else traveling in the region, is going to order pinot gris, chardonnay or pinot noir grown in the surrounding vineyards. Wine lists are full of the new as well as the established, the iconic and the eccentric. This is as true in Champagne as it is Bordeaux, in Rioja as it is in Mendoza.
Lovers of wine in all of these regions (simply living in a famed wine region doesn’t immediately qualify you as a true lover of wine) seek out compelling examples from around the world and well chosen restaurant lists highlight the local while looking outside the immediate evirons for compelling expressions of far flung varieties. THERE IS GREAT WINE MADE IN NEARLY EVERY WINE GROWING REGION IN THE WORLD. As a lover of fine wine you would be doing yourself and your customers a disservice NOT finding the best examples. Coercing the Burgundians to pull the cork on a bottle of Bordeaux is no small feat, and yet if you are truly compelled by the potential for myriad expressions of grapes, you seek them out, ask around. At Cyrus, in the heart of the Sonoma wine country, I was DEDICATED to finding the best examples of wines from throughout the region while paying homage to the greats from around the world. The local wine lovers asked after Burgundy and Piedmont, the visitors after Ceritas and Copain.
So why the allegations that the Bay Area, long home to one of the worlds most progressive and locally sourced food scenes, takes a dim view of its winemaking neighbors to the north and south?
The reasons raised are predictable, if more complex than understandable by a cursory glance.
Buyers are accused of romanticizing the foreign, of coercing their customers into trying wines that fit their preferences and not those of their guests, of simply being too busy or lazy to fully understand the wines and winemakers that work diligently in their own backyards. There is an aura of eccentricity for the sake of eccentricity, with Gruner Veltliner posing as the poster child for a whole era of copycat consumption where suddenly every restaurant in the larger Bay Area was pouring it by the glass (I include myself in this criticism, at Gary Danko I had 2 full pages of Gruner Veltliner…).
Winemakers, also predictably, are accused of making wines that taste the same whether pinot noir or cabernet, of slanting production methods towards the palate of reviewer, or worse, of planting grapes in places that should have remained apple orchards or grazing land. Most damning is the accusation that the local wines simply don’t go with food – all of the ripe rich fruit and wood morphing into some indistinguishable reduction of sweetness and cooking spice.
There is truth to all of these accusations; however, to delve so superficially into the debate is ludicrous. Are there overripe wines that declare themselves the primary point of the meal? Yes. Are buyers wary of preparing lists that are identical to the restaurant down the street? Absolutely. But if we in the Bay Area are devoted to the idea of localization, then buyers need to work harder finding the unheralded gems and innovative winemakers and winemakers need to continue to evolve their approach beyond one that is purely score based and more soul based.
Wines like Lioco are embracing old school methods of non intervention (including un-oaked chardonnays) and seeking out compelling sites that produce wines of balance and individuality. Parr selections is picking fruit early to preserve freshness and balance and demonstrating that wines from California and Oregon can have a sense of place. There is Peay and Corison, Dyer and Melville, Hirsch and Von Strasser – there is Meteor making distinctive site specific wines with structure, balance and elegance that rival (and often transcend) any of the worlds greatest wines!
Asimov and Bonne are right to question and buyers are not wrong to question, but to make grandious statements about an entire industry and declare yourself a supporter of “local” agriculture is hypocritical at best and naive and lazy at worst.
We racked the last of the 2009 vintage off ML today… have been racking since Tuesday and everything looks great. Particularly excited about the clone 7 and the Petite Verdot. The Petite Verdot is more of a stand alone wine than most I’ve tasted, with some of the racy, floral top notes of Petite Verdot but with great delicacy and length. Once again, the balance of clones offers and array of aromatics and textures, with the bright berry fruit of the 337 adding the telltale “high tones”. Balances are good. Tannins already controlled. Mike and his team did all the real work in the vineyard. Looking at oak, we’re liking the addition of more Tarrensaud, especially for the 337, but still are partial to the Alain Fouquet barrels. The before and after the rain discussion is a non starter…the only grapes that remained into the rain were Clone 4, and the fruit is close to perfect.
An article in the recent New Yorker about Johnathon Gold (”the high-low priest of the L.A. food scene…”) explored Gold’s exhaustive quest to eat through the endless array of restaurants in Los Angeles (he covers over 20k miles per year JUST dining in L.A. and environs). Many commentators note L.A. as one of the adventurous places to eat in the U.S.
The wine scene has been slower to develop. While mammoth wine programs like the former Grand Award winning Sona excel(ed) at comprehensive programs delving deep into the classic wine growing regions, others have looked broad and far for the most exciting producers from any number of regions from around the world.
Restaurants like Palate in Glendale fuse a passion for artisanal food with wines ranging from classics like Coche-Dury to biodynamic producers from the Loire Valley and Languedoc Roussillon. Caroline Styn’s Lucques and AOC have long sought out interesting wines from around the world – I remember several years ago enjoying Domaine Vacheron’s delicious Bell-Dame and marveling at the potential for Pinot Noir in the Loire (in ripe vintages). For Italian wines, everyone flocks to Mozza and Osteria Mozza.
For the most exciting wines from Napa, restaurants like CUT, The Polo Lounge, Spago, Boa and Melisse stand at the forefront – constantly surveying the horizon for wines that transcend the status quo.
And don’t forget that many of the most interesting wine programs in Southern California are the regions innovative retailers. Savvy consumers are tied into some of the most interesting wine shops in the U.S.; HK at Red Carpet Wines, Gary Fishman at Wally’s, Michael Brick at Hi Times and Alan Chen at Wine Connections.
I have been an avid bread baker since my college days. For me Autumn launches bread baking season and there will be dough rising every weekend. Over the years I have obsessed over great sourdough and have gone through various phases of creating and keeping starter.
Last fall I got inspired by Peter Reinhardt’s (arguably the absolute guru of bread authors) latest book “Whole Grain Breads” to get some sourdough starter going again, but this time with a unique twist – innoculating the starter with the natural yeast that grows on our very own Meteor Vineyard Cabernet.
The whitish “blush” that is common to smooth skinned fruit like grapes or plums is actually a natural yeast bloom which can be put to work for a natural sourdough starter. I was very interested to see what kind of terrior could be infused into a “mother” starter.
I soaked the grapes for two days and used the water as the liquid in the starter. All starters gain more character with age and after 12 months of feeding the started has really come into it’s own, producing robust rising power (without the addition of granulated yeast) and a mellow tang to the breads produced.
If interested I can “clone” some starter for our Meteor Vineyard friends. Write me at Barry@meteorvineyard.com.
Fall in the wine country is always serene. The grapes are in the winery, the leaves are slowly changing color and the sunlight feels more refracted and diffuse. The manic nature of harvest feels long ago, and the vines move incrementally toward a period of winter slumber. I was taking a quick respite this afternoon while talking to a buyer in Las Vegas and had to stop and marvel at the pristine natural beauty.
Despite early forecasts for rain into the weekend, Sunday arrived with perfect fall conditions.
Thomas MacNaughton, of San Francisco’s Flour and Water, prepared a melange of delicious food including Flour and Water’s incredible house cured salumi, roasted pumpkin soup with smoked duck and pistachio, roasted beet and persimmon salad with curly cress and roasted squash and pancetta salad with pheasant and wild arugula.
The wood fired pizza oven was burning, and Barry and Tom had a friendly battle over pizza crusts (Barry’s starter is developed with wild yeasts from the vineyard).
The food was delicious, and the wines (of course) were spectacular. Dawnine pulled barrel samples of the 2007 (yes, it is everything it is touted to be), both of the 2006 wines that were released several weeks ago were flowing, and a few of the final bottles from 2005 were pulled from the cellar to demonstrate the evolution of the vineyard. We couldn’t have asked for a more perfect day.